柯达EasyShare V570回顾

柯达EasyShare V570

柯达EasyShare V570特点和规格

柯达EasyShare V570官员主页

柯达EasyShare V570回顾和比较

今天马尼拉标准: 柯达EasyShare V570是一个好例子的怎样创新和周道的设计在是强有力,并且易使用的消费品可能一起来。

赞成: 双重透镜提供伟大的灵活性,专家质量透镜,容易学会和使用,好图像质量

负面因素: 摇篮需要供给动力并且减少流动性,昂贵为消费者照相机

ComputerAct! ve: 规定值: 4出于5

好观点

  • Five-megapixel决议
  • 减肥,口袋维度
  • 多才多艺的5x徒升范围,当二个透镜结合了

缺点

  • 没有由供应的可移动的存储卡
  • 图象噪声在没有闪光的低灯
  • 离群手指可能渐增音量,当在广角方式下

定案
柯达EasyShare V570是,尽管是一点概念产品,实际上是非常易使用的一台多才多艺的紧凑数字照相机。 加号,图象也是五颜六色的。

DigiCamReview: 柯达Easyshare V570是一台独特的超协定5 megapixel数字照相机-以二个透镜为特色: 一个超范围内的角度透镜和一个正常3x光学变焦镜头。 如果您想要乐趣。 易使用,超变紧密数字照相机用一个超范围内的角度透镜,并且意欲采取主要室外相片,然后这台照相机也许是一个好选择。 当使用超范围内的角度透镜时,照相机提供一般快的表现和极端快聚焦和快门反应。 户内图象质量是其中一个照相机的弱点,作为照相机有问题聚焦在低光,当使用徒升,红眼通常发生了时,并且噪声相当高。 外部图象质量是更好的,因为图象有好颜色、饱和、对比和曝光,但图象一般是软的。 如果一个超范围内的角度透镜是a必须,则您的选择确定地是有限的,然而我会推荐仔细地想法在购买这台照相机之前,特别是如果您采取人很多室内相片,作为没通常的照相机正确地聚焦。 这是一台独特的数字照相机,和同样地,它是难得出一个清楚的结论,某些人也许爱超范围内的角度透镜的想法和超变紧密身体,而其他也许由图象质量失望。 规定值: 在平均(7/10)之上。

CoolTechZone: 柯达EasyShare V570确定地被瞄准在初学者。 它在自动方式提供印象深刻的结果,如果使用作为简单点和射击照相机。 同时,因为消费者熟悉这台照相机,他们明显地会想扭捏几个设置。 The V570 will let them do that as well, albeit to a limited extent. It will let you set exposure compensation, white balance, color mode, sharpness as well as ISO speeds to allow select flexibility. Unlike some of the cameras with a complicated menu system, the V570 lets you set these pretty easily and without much fuss.

At $400, this camera is no doubt a bit expensive, but then you do get the charm of owning the only dual lens camera in the world. To be fair to Kodak, while the camera definitely has some issues, the wide angle lens is amazingly good. If you want to take wide photos at close range (family portraits or group photos) you really can’t do much better than this. The ultrawide angle lens coupled with the 5x optical zoom telephoto lens yields great results.

With that said, if you are already familiar with cameras, are more of a prosumer and don’t much care for ultrawide angle shots, you should look elsewhere at digital cameras that offer more tweaking capabilities.

PhotographyBlog: Rating: 4 out of 5. The 5 megapixel Kodak Easyshare V570 is a very stylish and very unique camera, thanks to its innovative dual lens system which offers an ultra wide 23mm and a 39-117mm zoom lens, all in a metal body just 2cms thick. There’s obvious distortion at the 23mm end of the zoom range and the step-up from 23 to 39mm takes a little getting used to, but that’s a small price to pay for the flexibility that’s on offer. Using such a small camera with such a wide zoom range opens up lots of photographic opportunities that you just won’t get with similar sized models. The Kodak Easyshare V570 isn’t the fastest camera available, with the zooming mechanism and continuous shooting being particularly slow, although focusing in both good and low light situations is fast and accurate. The 5 megapixel sensor is modest in this day and age, but more than adequate for prints up to A4 in size. Image quality is only average, with noticeable noise and blurring at ISOs 200 and 400, which means that the V570 is best suited to situations with adequate lighting, especially if you want to make larger prints. The Kodak Easyshare V570 is just a simple point and shoot camera in terms of creativity, with no control over aperture or shutter speeds, but Kodak have gone to great lengths to make the V570 easy to use, with a wealth of playback and sharing options available. Overall, despite only average image quality and some elements of slow operation, the Kodak Easyshare V570 is an intriguing and fun to use digital camera.

LetsGoDigital concludes that with the introduction of the Kodak EasyShare V570, Kodak have ventured on to a path that is not necessarily a dead-end. The dual-lens system offers potential, and will appeal instantly to a certain share of consumers. It should be said, however, that the system has not yet fully matured, which leaves Kodak room for improvement. The operation is as one would expect of a Kodak EasyShare digital camera; straightforward and with the emphasis on user-friendliness. The negative sides of this camera seem to be evened out by its plus points. Therefore, we give Kodak the benefit of the doubt, and appreciate the concept that has brought attention to the Kodak EasyShare V570; the world’s first digital compact camera with a dual-lens system.

PC Magazine gives good editor rating of 3.5 out of 5 and concludes that Kodak EasyShare V570 is a unique camera that lets you capture unusual views of the world, but providing two lenses doesn’t automatically make it the best ultracompact around.

DigitalCameraInfo reviews V570 and concludes that the Kodak EasyShare V570 was designed to be stylish and sleek, but was also designed to survive in a purse or pocket. The metal construction on this 5 megapixel digital camera makes it durable and its metal lens cover protects the lenses better than most. The V570 is the world’s first digital camera with two lenses on the body. The Kodak Retina dual lens technology was developed to give users of skinny cameras a lot more zoom than can normally fit in non-extending lenses. Indeed, the EasyShare V570 uses a 23mm wide lens and a 39-117mm zoom lens to give point-and-shooters a combined 5x of zoom power. Users can tweak the zoom in the movie mode as well as the still recording modes - which all happen to be very automatic. There are 21 scene modes that will please everyone from the genealogist (Text mode) to the museum curator (Museum/Manner) to the high schooler (Portrait and Self-Portrait) to the NASCAR fan (Panning Shot). There is also a very cool Panorama mode that automatically stitches three pictures together within the camera. Most models that include a panorama mode don’t stitch the pictures together until they are loaded into editing software.

The Imaging Resource concludes that the Kodak V570 presents an interesting problem for us. It’s a camera with a lot in the plus column and a lot in the minus column; yet it still nets out as a positive experience. We really like the camera for its unique dual lens arrangement that includes a surprisingly useful 23mm wide angle lens, but its image quality really isn’t as good as it could be for a 5 megapixel camera. Its fully automatic exposure control performs very well in a wide variety of conditions, requiring less exposure adjustment or tweaking than do most competing models. Auto white balance wasn’t quite as good as it could be, however, and shot-to-shot speed didn’t break any records. But for more difficult shooting conditions, a wide range of preset “Scene” modes extends the camera’s capabilities nicely, perfect for the target market. The V570’s video capabilities are also very good, both sound and video quality are quite good. While sophisticates may prefer more subdued color, we suspect that most consumers will love the bright, vibrant photos the V570 produces. But there’s still that quandary. The V570 has a 5x zoom that’s really a 3x plus a fixed 23mm; and it has two 5 megapixel sensors that produce images that really look more like they came from a 4 megapixel sensor. But we still really like the camera, so if you know these “exceptions” and still like the camera as we do, you’ll be very happy with the performance and quality you get from the Kodak EasyShare V570. At the end of the day, we had more outright fun with the V570 than any other camera we’ve reviewed for a long while. Tiny, compact, and super-stylish, the Kodak EasyShare V570 is a perfect choice for novices, as well as more experienced users looking for a capable, yet travel-worthy “fun” digital camera that can give them a wider view than ever before. All things considered, the Kodak V570 earns a Dave’s Pick.

IMPORTANT: This is a machine translated page which is provided "as is" without warranty. Machine translation may be difficult to understand. Please refer to original English article whenever possible.

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One Response to “Kodak EasyShare V570 Reviews”

  1. Portraits from photos
    August 18th, 2006 10:39
    1

    Thank for compiling these reviews on the Kodak EasyShare V570.

    I’m about to buy a new digital camera, so this is very useful for me.

    Regards,
    John

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